Selasa, 29 Oktober 2013

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A Practical Guide to Job Analysis, by Jeanette Goodstein, Leonard D. Goodstein, Erich Prien Lou Gamble

  • Published on: 2009-04-20
  • Binding: Hardcover

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Jumat, 25 Oktober 2013

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International Money: Postwar Trends and Theories, by Paul De Grauwe

The period since the Second World war has been an eventful and often disturbing one in the international monetary field. Economic theories have been propounded and modified both to explain these events and to influence future choices made by economic actors.

This history of international monetary relations shows both how theoretical development affected private developments, and how the theories themselves have been judged - and often discarded - on the basis of their perceived accordance with actuality. Exchange rate movements in particular are examined in the light of the absence of any generally accepted fundamental model, and the author deploys here his own theory based on the idea of bounded rationality. Finally, he looks ahead to future possibilities for the international monetary system.
New in the Second Edition
Fully revised and updated
Includes an account of the EMS up till the end of 1995
Fuller theoretical coverage of fixed exchange rate systems, including the modelling of speculative attacks
Covers chaos theory and near-rational behaviour
Includes new sections on: speculators and speculative bubbles; target zones and other proposals for international monetary reform; the importance of free capital mobility and proposals to control capital movements.

  • Sales Rank: #3586879 in Books
  • Published on: 1996-11-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.13" h x .62" w x 9.13" l, .94 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Paul De Grauwe is Professor of Economics at the Catholic University of Leuven, the author of The Economics of Monetary Union, and the editor of three previous books in the CESifo Seminar series.

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0 of 0 people found the following review helpful.
Worth a spot on your bookshelf
By Grad student
Simply outstanding. Paul De Grauwe writes about issues pertaining to exchange rates regimes with great clarity. Chapter 9 about near-rational behavior is particularly interesting, even if the part on chaos theory is too terse. For those more particularly interested in the economics of monetary unions, I also strongly recommend his book "The economics of monetary integration".

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Rabu, 23 Oktober 2013

[Y633.Ebook] Download Midkemia: The Chronicles of Pug, by Raymond E. Feist, Stephen Abrams

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Midkemia: The Chronicles of Pug, by Raymond E. Feist, Stephen Abrams

The world of Raymond E. Feist is brought to stunning life in this illustrated deluxe compendium, complete with maps, character drawings, and first-person narrative text by the master of fantasy fiction.

Part travel log/journal and part atlas, Midkemia: The Chronicles of Pug brings the fictional world of Midkemia to vivid, illustrative life, and gives readers a completely new look at the creative genius of Raymond E. Feist. Written in first-person—a first for veteran bestseller Raymond Feist—the book details the life and times of Pug of Stardock, the hero of Feist’s The Chaoswar Trilogy. Beautiful hand-drawn maps illustrate the changes in Midkemia’s geography as war ravages the land and physically alters the landscape; dedicated readers and fans can literally trace the changes made by each battle. Complete with thirty pieces of specially commissioned artwork, this book is a totally immersive look into the world of Midkemia as never experienced before. 

  • Sales Rank: #698500 in Books
  • Published on: 2013-11-05
  • Released on: 2013-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.13" h x 1.04" w x 7.44" l, 2.14 pounds
  • Binding: Hardcover
  • 256 pages

From the Back Cover

Raymond E. Feist's legendary Midkemia comes to life in this illustrated deluxe volume complete with sixty full-color illustrations, including maps, blueprints of key locations, and character sketches, and featuring commentary from one of the most beloved characters in fantasy, the magician Pug of Stardock.

Based on Pug's journal, reorganized and edited with observations and insights by his son, Magnus, this lush visual compendium charts the evolution of the remarkable world of Raymond E. Feist's Riftwar Saga.

Part journal, part atlas, Midkemia: The Chronicles of Pug begins at the Far Coast, where the magician recounts his childhood and the eventual journey that takes him to the Grey Towers, Sorcerer's Isle, and Krondor. The book also documents Pug's encounters with several favorite characters he meets along the way, including Jimmy and Locky, the Saaur, and Erik and Roo in Ravensburg. Beautiful hand-drawn maps—collected by Pug throughout his life—detail changes in Midkemia's geography as war ravages the land, and thirty pieces of specially commissioned artwork illustrate key moments in the Riftwar Saga.

An in-depth look at an extraordinary world and its brilliant creator, this remarkable companion imaginatively captures the magic, wonder, and drama of Midkemia.

About the Author

Raymond E. Feist is the multiple New York Times bestselling author or coauthor of thirty previous books—all but one of which are Riftwar Cycle novels. He lives in San Diego.



Stephen Abrams is a longtime cocreator of the fictional world of Midkemia. He lives in San Diego.

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22 of 25 people found the following review helpful.
Dissapointing money grab!
By Rob Allspaw
I bought this book last night thinking it was going to have some new insight, some fill in the gaps moments. Nope, none of that. Rehashes of the various books and vague phrase like "I hope that tale is told someday."
But the most disappointing aspect of this compendium, this supposed encyclopedia is the spelling mistakes and the errors in the character bio section. Simple mistakes that I found at first glance. Arutha had 2 sons, Borric (II) and Erland (II) not Lyam (II). And later Nicholas: youngest son of Arutha (I), brother to Borric (I), Erland (I), and Elena... And Eick von Darkmore.
These are not throwaway characters or simple background people. Books Have been devoted to this line throughout the series. It's this type of sloppy work and expecting fans to shrug and say "oh well" that infuriates me. I'd be embarrassed to have my name on a book of this low quality and work if I were Feist.

29 of 39 people found the following review helpful.
Filles with typos, one of the maps is missing and almost no new information
By A. Whitehead
Earlier this year, Raymond E. Feist concluded his Riftwar Cycle of epic fantasy novels. The sequence that began in 1982 with the publication of Magician concluded with Magician's End, resulting in a massive series consisting of thirty novels spread over ten sub-series. Six of the novels were co-written with other authors, but the rest are solely by Feist. However, it's less well-known that the world of Midkemia is not Feist's creation, instead being conceived by Stephen Abrams. Abrams and Feist attended the University of San Diego together in the 1970s and Abrams created the world for use in roleplaying games. Feist later (with Abrams's permission) used the setting for his novels, fleshing it out further.

Thirty-five years later, Feist and Abrams have regrouped to deliver a companion book to The Riftwar Cycle, featuring maps, artwork and further information on the world of Midkemia not given out in the novels. Whilst I haven't followed the later Riftwar novels (I bowed out after the quite amazingly boring Talon the Silver Hawk), I did enjoy the early ones and particularly liked the worldbuilding (haphazard as it was) depicted in the books and the spin-off computer games (Betrayal at Krondor and Return to Krondor), so I was looking forward to seeing that background fleshed out.

I was disappointed. As a companion book, Midkemia: The Chronicles of Pug is sorely lacking in almost every department. The first thing that grates is a lack of proof-reading: the book is riddled with spelling errors on both the maps and in the text (Shamata is frequently rendered as 'Shomata', whilst 'Murmandamus' is spelt in several different ways depending on the writer's whim of the moment). The maps are pretty, but difficult to use. The fonts render many names difficult to read and the artist seems to frequently get bored and only fill in the trees around the edges of the forests, making it look like Midkemia's woodlands are all plains surrounded by a ring of trees. Also - though this is a long-standing problem from the book maps as well - the mountains are depicted as quite ludicrously-sized given the scale used. The continent of Novindus continues to look like a small island instead of a huge landmass. There is also a discrepancy between the size of the Empire of Great Kesh on the maps and its reported size in the books (several times that of the Kingdom, whilst the maps show it as roughly the same size), and contradictory statements in the book which say that Kesh is sparsely-populated with the cities separated by vast gulfs of wasteland, whilst the novels report that Kesh has many times the population of the Kingdom. There's also the problem of the maps featuring locations that don't actually exist when the map was supposedly made: Port Vykor (or Vikor, as the maps never seem to agree on a spelling), founded after Rage of a Demon King, is shown on maps pre-dating Magician, more than fifty years earlier. Oh yes, and there's supposed to be two world maps of Midkemia, showing the state of the world at the start of Magician and after Magician's End (both visible on various fansites promoting the book) but only one of the two world maps is actually in the book. The other one seems to have simply been forgotten. This is made more amusing by the surviving book having 'MAP II (2)' written on it with 'MAP I (1)' nowhere to be found (in the UK first edition, it should be noted; the US edition and later editions may have fixed this).

Then there's the actual text itself. Those expecting a book which talks about geography, history, society, customs, cultures and so on like previous fantasy companion books (like The World of Robert Jordan's Wheel of Time, The World of Shannara and next year's World of Ice and Fire) will be in for disappointment. The text is a fairly basic plot summary of the events of The Riftwar Cycle. Sidebars and illustrations show there is some potential in this approach: a map of Sorcerer's Isle appears at the relevant point in the text, followed by maps of the Sunset Islands when they first appear and so on. Occasionally the summary of plot elements the reader is probably already familiar with is interrupted by a little bit of background information on politics or culture, but such moments are rare and fleeting. The depth and usefulness of the plot summary amusingly mirrors the general consensus of the quality of the books: the events of Magician are covered in substantial depth, then Silverthorn through Rage of a Demon King in somewhat less detail, and then all of the books afterwards (which is almost two-thirds of them) are covered in just a few pages of confusingly repeated names and events which sound generic to the point of painfulness (having bailed out after Talon of the Silver Hawk, I see I'm not missing very much).

The book is accompanied by artwork from Steve Stone. These aren't actual illustrations, however, but rather stiff and unconvincing 'photo art' featuring posed models in front of CG backgrounds. Occasionally this is effective (Amos Trask's ship running the Straits of Darkness is pretty good) but most of the time it's awful, not helped by occasional re-use of the same model to depict completely different characters.

There are moments when the book comes to life: the opening couple of chapters feel more inspired and some of the maps expanding on the somewhat-confused geography of Silverthorn and A Darkness at Sethanon are genuinely useful. Occasional bursts of background material hint at much more interesting detail. Getting 'canon' maps of the Keshian Confederacy and the full Empire is also gratifying (though it turns out they are pretty much the same as the ones that have been available on the Elvandar website for many years). But ultimately this is a companion book which tells us almost nothing about the history, chronology, societies and cultures of the world it's named after, which is a baffling choice.

Midkemia: The Chronicles of Pug (**) is a disappointing volume, featuring almost none of the information that I suspect readers will really be interested in or expecting. Instead, it's an unproofed plot summary of books they've already read, interspersed with bad artwork, ill-detailed maps and an astonishing number of spelling mistakes. There are a few, scant interesting nuggets of new information to be found and some maps that helpfully clarify confusing descriptions in the books, but beyond that this book is not really that useful. One for die-hard fans and completists only. The book is available now in the UK and USA.

10 of 14 people found the following review helpful.
Was hoping for more insight from Pug.
By c l bjierre
i was excited by the first person writing of this (by pug). finally, a chance to see through his mind's eye about all that occurred in his lifetime and what his thoughts were about events and other characters in the midkemian world. well, kind of. basically its just a bare outline of each of the sagas (dark war, rift war, serpent war , etc ) that happened. and when something that would have been very interesting to read from Pug's point of view, he merely waved it away to be dealt with at a later time or it was (or would be annalled somewhere where the reader could not read it.
the pictures and maps were interesting, although a picture or two of Elvandar would have been really nice and / or Kelewan as well. I really didnt need to see a picture of a quegian ship or the Emerald Queens attack on Lanada, which oddly enough doesnt seem to show the Emerald Queen there. a pantathian or a sauur would have been equally useful for the Serpent war saga readers.
Maybe i set my sights too high then, but i was hoping for a little more insight especially with the first person point of view being the main selling point of this book.

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Sabtu, 19 Oktober 2013

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  • Binding: Hardcover

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Selasa, 15 Oktober 2013

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Senin, 14 Oktober 2013

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Do Less: A Minimalist Guide to a Simplified, Organized, and Happy Life, by Rachel Jonat

Stress less while living more!

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With Do Less, a happier, more serene life is just moments away. From your home to your finances, this straightforward guide teaches you how to scale back your possessions and commitments to just what you really need. With hundreds of ways to minimalize your life, you'll quickly uncover the joys and rewards of paring down.

A must-have for any shelf, Do Less helps you rediscover the simple moments that have been buried beneath the piles of to-dos, to-knows, and to-buys.

  • Sales Rank: #63086 in eBooks
  • Published on: 2014-04-18
  • Released on: 2014-04-18
  • Format: Kindle eBook

Review

“In a world where we are surrounded with the notion that we need more to be happy, this guide offers an alternative view and encourages readers to scale back their possessions and commitments to just what they really need.” – Bella Magazine

About the Author

Rachel Jonat is the writer behind the popular blog The Minimalist Mom (www.theminimalistmom.com), which receives up to 100,000 pageviews a month. Rachel has written about minimalism for the Chicago Tribune, Business Insider, the Globe and Mail, Chatelaine Insider, and Babble.com. She has also partnered with brands such as the Royal Bank of Canada and ZipCar.

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16 of 16 people found the following review helpful.
Buy this book!
By Marilyn
Great book; quick to read; makes a lot of sense. The title is sort of misleading though. It's more about getting rid of the extra stuff (including things we do everyday) in your life. I bought this book after going to an estate sale for a friend's mother who had recently passed away. Her house and out buildings were FILLED with STUFF that she hadn't used or touched in years, items that none of her family wanted or needed. Seeing all that unwanted STUFF prompted me to buy this book. Now I'm happily cleaning closets of unworn clothing, unused appliances, dishes, table clothes, fabric and sewing notions, books I haven't opened in 5 or more years, collectibles that are just there 'because', etc. I am feeling freer with every box I pack for an upcoming garage sale!

11 of 11 people found the following review helpful.
Practical and Easy Applied
By hazbnrower
This was a great concise read that really inspired me. While I've read her blog, the book was well laid out in a logical manner so you could review different areas easily as opposed to working through various blog topics. Good way to really get started or for anyone new to the concept.

I enjoyed that it wasn't just about 'stuff' but also got into commitements and relationships. While I am not new to mimimalism, I found it made me stop and take an inventory of some areas that need a bit of decluttering.

Great purchase as a gift for friends and family.

13 of 14 people found the following review helpful.
A must read!!!
By Evamomelina
I'm very happy I bought this book!!! I was pleasantly surprised as I had expected to read some of the usual repetitive things as usually seen in most minimalist books; but in the contrary, it brings new ideas and ways to achieve them. I can go back to it many times as a point of reference for different needs. The book Do Less, delivers a great and unique format to guide you through your minimalist endeavors. I like the fact that its not only aimed at one type of lifestyle; whether you are a single person looking to streamline your life, or a parent who's looking to make some changes, it resonates at any point you are in your life.

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Rabu, 09 Oktober 2013

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  • Sales Rank: #15345154 in Books
  • Published on: 1985-12
  • Original language: English
  • Dimensions: 24.25" h x 18.25" w x .25" l,
  • Binding: Poster

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Jumat, 04 Oktober 2013

[R302.Ebook] Ebook Download Kokoro (Penguin Classics), by Natsume Soseki

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Kokoro (Penguin Classics), by Natsume Soseki

The great Japanese author’s most famous novel, in its first new English translation in half a century
 
No collection of Japanese literature is complete without Natsume Soseki's Kokoro, his most famous novel and the last he completed before his death. Published here in the first new translation in more than fifty years, Kokoro—meaning "heart"—is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei." Haunted by tragic secrets that have cast a long shadow over his life, Sensei slowly opens up to his young disciple, confessing indiscretions from his own student days that have left him reeling with guilt, and revealing, in the seemingly unbridgeable chasm between his moral anguish and his student's struggle to understand it, the profound cultural shift from one generation to the next that characterized Japan in the early twentieth century.


From the Trade Paperback edition.

  • Sales Rank: #421208 in eBooks
  • Published on: 2010-01-19
  • Released on: 2010-02-23
  • Format: Kindle eBook

From Booklist
*Starred Review* Kokoro is the great Japanese modern novel. The last its author completed, published in 1914, two years before his death at 48, it voices the spiritual desolation of a society that had deliberately transformed itself from quasi-feudal isolation to determinedly modern player on the world stage in little more than 50 years. The never-named narrator-hero of the novel’s first half is a provincial student in Tokyo who befriends a man some 20 years older whom he meets on a beach that is a favorite student getaway site. Well-mannered, educated, comfortable, ostensibly happily married though childless, the man, whom the narrator regularly visits once they’re both back in the city, yet exudes sadness. In the book’s second half, narrated by Sensei (i.e., mentor), as the student calls him, we learn why: he feels he betrayed a friend by first pressing his suit for the woman both love. Translator McKinney, who makes a completely stylistically modern—verbally and syntactically plain, realistic, personally voiced, intimate in tone—English-language novel of this quietly profound masterpiece, imparts in her introduction all that non-Japanese need to know to appreciate why the book is considered a national treasure. It is an international modernist treasure through sharing the aching, regretful sensibility of such works as Hemingway’s The Sun Also Rises and Ingmar Bergman’s arguably greatest film, Winter Light. --Ray Olson

Review
"This elegant novel...suffuses the reader with a sense of old Japan." —Los Angeles Times 

"Soseki is the representative modern Japanese novelist, a figure of truly national stature." —Haruki Murakami

About the Author
Natsume Soseki (1867-1916), one of Japan's most influential modern writers, is widely considered the foremost novelist of the Meiji era (1868-1914) and a master of psychological fiction. As well as his works of fiction, his essays, haiku, and kanshi have been influential and are popular even today. 
 
Meredith McKinney (translator) holds a PhD in medieval Japanese literature from the University in Canberra, where she teaches in the Japan Centre. She lived and taught in Japan for twenty years and now lives near Braidwood, New South Wales. Her other translations include Ravine and Other Stories, The Tale of Saigyo, and for Penguin Classics, The Pillow Book of Sei Shonagon, and Kusamakura.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Penguin has offered a lovely translation ~
By Christopher Barrett
I checked this out as an eBook from my local library since the only hard copies were the previous translations. For those who sigh at another translation, remember that Kokoro, like many classic novels are public domain of sorts. Any publisher can copy the work as long as they credit the author and don't change the original. For translations the rules are a bit more flexible. But Penguin decided they would rather translate the original than pay another publisher for the rights to their translation. I think that's fair. It's like Beethoven. You don't have to pay to use the music, but if you use someone's recording of said Beethoven piece, you need to pay them.

Kokoro is an interesting novel. It is broken down into 3 parts. It is interesting that the chapters are all nearly identical length, about 2 pages each chapter in this version. So there are 110 chapters. But it's not a terribly long read.

The first section deals with the protagonist and his relationship with 'sensei', a seemingly well to do older man. They become acquaintances and finally develop an almost father-son relationship. The second part deals with the protagonist's father who is dying and his relationship with the family. The final section is actually a memoir sent to the protagonist by 'sensei' detailing the events of his younger life and shedding light on some of the mystery behind 'sensei'.

This translation is pretty amazing. I don't read Japanese (at least Kanji though I can read some hiragana pretty well), but I do understand much of the Japanese language. It is difficult to translate not because of the actual words, but because Japanese is subject-object-verb instead of subject-verb-object as in English. So if you literally translate you will sound like Yoda. "I, to this location, must now go," and such. So it is interesting that this translation seems to have less fluff than other translations. Japanese is a relatively straightforward style of writing, focusing on precision and emphasis on more emotions from fewer words. I think this translation caught the original Japanese style and kept the sentences shorter and crisper with more emphasis on the key words and phrases and less on lengthy adjectives. Also, Soseki likes to keep is characters vague and nameless (sounds a lot like a modern Japanese author I know), so they seem to have more mystique. Although it is believed that the 'sensei' character was based at least in part on Soseki himself.

Natsume Soseki is considered the father of modern Japanese literature. He was in what I like to call the Japanese Algonquin Tatami (I totally made it up but it kind of fits). It was a group of talented, though seemingly radical authors in the first half of the 20th century in Japan. Soseki traveled to England and developed a number of neurosis there and upon his return to Japan. His works are peppered with satirical elements, this novel less so than others such as 'I am a Cat'. But I mention this so that folks understand a bit of his influence to his writing. We was definitely a critic of the 'modern' Japanese society of the early 1900s.

I would HIGHLY recommend reading Botchan first. Botchan is Soseki's Huck Finn if you will. It is widely praised for its quality, its flow, and its interesting and very smart alecky protagonist. I actually equate the protagonist to Holden Caufield from Catcher in the Rye. Kokoro is among Soseki's most serious novels and is cited as a major influence by many great Japanese authors such as Yukio Mishima.

Fun fact: Natsume Soseki graced the 1000 yen bank note from 1984 to 2004. Wouldn't it be cool to have Mark Twain and Edgar Allen Poe on US bills?

8 of 8 people found the following review helpful.
A Touching Japanese Classic
By Modest_Type
This is the first novel I've read by Natsume Soseki, and my first Japanese novel at that. Although I haven't read another translation, the novel is beautifully written, being succinct yet flowery and powerful at times. Certain lines clearly and powerfully convey the feelings of Meiji Japan. Some recurring themes, such as the animosity between younger and older generations, are still relevant today. Additionally, the fact that this novel takes place in Japan during the Meiji period means it effectively captures the contrast between city and rural life. To me, this book is one I'll treasure forever; it has affected me deeply, compelling me to question my own development as a student, as well as my relationship with my father.

Additionally, because I am a casual reader I was delighted to discover that every chapter is approximately 2 pages long.

Overall, Kokoro is a Japanese classic that offers an emotional and compelling read.

11 of 13 people found the following review helpful.
which translation matters
By alm50
Everyone agrees Kokoro is a masterpiece of modern Japanese literature but for English readers the quality of translation from the Japanese is crucial. It should be noted that the translation of Kokoro Schwalbe chose for "The End of the World Book Club" was by Edwin McClellan, whose translations of Soseki are celebrated, not the translator of the Penguin edition. Newer is not always better.

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